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My next phase of intense creativity occurred when I was posted as a captain to the Pakistan Military Academy and Military College Jhelum between 1974 and upto the first half of 1976. In between, however, I spent two years and a few months in the Army Education Corps. I was commissioned in the armoured corps and, when I resigned my commission in 1978, it too was from the same corps. From 1970 till 1978 I was a cadet and then an officer in the Pakistan Army. Instead, I started writing of people in Pakistan. The settings of my stories were no more exotic nor were names of characters borrowed from the West. However, I became concerned with the real problems of people, especially poor people, in Pakistan. I did not know much of Urdu literature nor had I read Premchand (1880-1936) and the fiction of the Progressive Writers Movement of the 1930s in South Asia. Gradually these influences wore off and I veered towards the school of social realism. Thus the stories written in 19, both years of intense creativity, are influenced by these two writers. I also read Oscar Wilde (1854-1900) and developed a taste for the clever twist in the end (a la Maupassant) and a penchant for colourful language and exotic remanticism (a la Wilde). At the same time I read Guy de Maupassant (1850-1893) the great French master of the short story. This piece ‘The Mystery of the Bald Spot’ was published in a student magazine and I was encouraged to write. I wrote my first short story-actually more of a humorous anecdote than a short story proper-in 1968 when I was nineteen years old. 24.Ĭontents Preface The Mystery of the Bald Spot Out of Darkness Just a Child The Crucifixion The Epitaph Transfiguration Bingo Finis Friend The Olive Branch The Philosopher King Saint Satan Snail The Burden of Sisyphus The Computer Salvation Babu Charity The Legacy The Physician Thanks The Lead Gatherer The Dove of Peace